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The Power Station - The Power Station

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Released 1985 [USA]

The Power Station: 7 July 1985, Raleigh, NC

I am cheating a bit here. Just putting in something directly from my journal as written in 1985. Also keep in mind this is from the perspective of a bummed-out DJ who didn't get an interview. To this day I have great respect for John Taylor and Duran Duran. I was a Durany fan way before Rio came out. I am very happy to know that this very cool band - Duran Duran - is still around, recording music, and remaining relevant.

Another bumming factor is that I had hoped to see Robert Palmer, whom I had been a fan of since his very first album Sneaking Sally Through the Alley came out and I heard it on Deaconlight.

Yesterday damn near cured me of my John Tayloritis. The Power Station concert itself was a major disappointment. The band shrieked its tunes with a warped, motionless ferver. The ostentatious but beautiful bass player sucked up the adoration given him by the screaming adolescents, while the parents of those adolescents patiently and silently waited in the back. On one side of the arena, outside the performance area, a fainting center had been set up. When I first walked by there, I saw a girl sitting in a chair and being comforted by her friends. Another girl was prostate on the floor and medics were trying to revive her with oxygen. I thought there had been a horrible accident as I noticed the stretcher awaiting some small body. About this time, a young black guy with a Carl Lewis haircut came up and asked to take my picture. He liked my fishnet stockings and short red skirt.

"What's going on over there?" I asked, refering to the First-Aid area.

"Oh that's where they're taking all the girls who pass out," he said. "They gotta give 'em oxygen and when they come out of it, they start crying."

The scene was pretty amusing and I found myself returning when I got fits of boredom, which happened many times throughout the evening. I've never seen anything like it. Girls were being carried in by their friends, by cops, by parents. Some were dragged along, while others were all the way out in the arms of an adult. What happened was the girls would see John Taylor and their hearts would beat so fast and get their blood pressure so high that they'd faint. Several were carted off to hospital.

Untamed adolescent libido in overdrive!

Anyway, the more I associated this hysteria, the less appealing the perpetrator, i.e. John Taylor, seemed to me. He was enjoying the effect he had on those girls. What disappointed me most was that I had mistaken that Power Station was John Taylor's attempt to prove that he had something going for him besides being a pretty boy in a teeny bop band. Well, gauging from the crowd and Power Station's performance, what John really needed was another outlet to support his ego. His narcisism has taken him overboard this time. Being a Durany has turned into a liability.

Cover to The Power Station's CD The Power Station

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The Power Station Digital Sheet Music

Download The Power Station digital sheet music Download The Power Station Digital Sheet Music at Musicnotes.com

 

Download The Power Station "Some Like It Hot" Digital Sheet Music (Piano/Vocal/Guitar) at Musicnotes.com

 

Download The Power Station "Bang a Gong (Get It On)" Digital Sheet Music (Guitar/Vocal/Leadsheet) at Musicnotes.com

 

Download The Power Station "Bang a Gong (Get It On)" Digital Sheet Music (Piano/Vocal/Guitar) at Musicnotes.com

Original Album Tracks

The Power Station - The Power Station

Newer versions and special editions might have additional/bonus tracks.

  1. Some Like It Hot
  2. Murderess
  3. Lonely Tonight
  4. Communication
  5. Get It On (Bang a Gong)
  6. Go to Zero
  7. Harvest for the World
  8. Still in Your Heart

Oh sure, I'm also bummed I didn't get my interview with him. But I can't saddle him with all the blame on that. First off - there's no guarantee that he read my message that awaited him in his dressing room, especially since he ended up in another room. That guy Frankie - the young preppie looking Briton decked out in tennis attire - was a major obstacle I couldn't overcome. The other tour co-ordinator, Arnold, was very nice and tried to be helpful, but there was only so much he could do.

The beautiful boy was so close! He passed by so close to me as he entered the room next to the one I was in. His sleeping body was only a few feet from me but we were separated by a wall. He probably never knew I was there. He had to sleep off the hangover that resulted from an intense night of partying in Norfolk, Virginia, the night before. He was in no mood to be swayed to an interview.

The afternoon wasn't a total loss. I got quite a bit of The Fountainhead read as I tried to wait unobtrusively in a production room. I kept Arnold and other tour personnel entertained reading sexual activities in the storyline of the Ayn Rand novel.

Arnold is worth a mention. This 39-year-old Britain with long curly hair (a la Gino Vanelli) claims to love tennis. He has a wife and two kids, but I gathered that they are separated or divorced. He was very friendly but made no obvious moves to pick me up or anything. I felt very comfortable around him.

Another person who caught my eye was a cute young thing named Derek. He had long curly hair - nearly heavy metalesque. His eyes, though, were sorta Duranyesque. You know, the beautiful kind - the kind that looks great with make-up. He was on the Pro-Motions crew. I'd like to see him again sometime.

There was no hope to get an interview after the show because the band was to be whisked off to the airport, on their way to Sarasota, Florida. My car was parked on the street right next to where the limos were supposed to come out. As Power Station played their last song ("Bang A Gong") I headed for my car. But as I unlocked the door, an officer (conveniently) warned me that I couldn't move my car just yet. This gave me a front row seat to watch the boys get loaded up in their escape vehicles. Already a couple of groupies were waiting. One young blonde, camera in hand, leaned her ass against my window while I waited for me chance to go. As the limos and vans rushed out, I started my car and the girl came up to my window, which was rolled down.

"Are you with them?" she asked excitedly. THEM, of course, meaning The Boys.

"Nope." I said and started my car.

"Yeah, but you're gonna be, aren't you," she said, wide-eyed with conviction.

"Nope." I said with a smile and took off. I don't think she believed me. There was no point in bragging about the brief looks I got at my beautiful Durany in the hallway, or how I almost ran into the tiny makeupless Andy Taylor as I came out of the bathroom, or that I had actually met John Taylor et. al. backstage at a Durany concert the year before.

To humor myself, I lagged behind the entourage - even passed them at one point. But my damn car decided to stall out on me, so I lost them.

As I drove home, I didn't feel bummed out, although it would have been nice to have interviewed the real Durany face-to-face. Somehow, though, having the night off and the windows rolled down, I felt very free for a change. Summertime is great. It's nice to not have to wear a coat in the middle of the night to spend time outside after midnight. I looked forward to plopping down on the couch with a beer and eggrolls and watching TV.

No more interviews - or attempts - I've decided. The backstage scene is so pretentious. Everyone thinks they're so goddam important. I hate feeling like I'm on the outside looking in. I hate being classified in the same group as those drooling young girls hanging out by the stage. Oh I had to do what I did Sunday or else I'd have to live with "what if's." I probably did about all I could do. But it's all sort of degrading. No more.

-- Written July 1985 (DD)

This page was updated July 27, 2008.
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